There are some good things about this novel: there are some
wonderful descriptive passages, particularly descriptions of the sea during the
period when the protagonist is on a fishing boat. I thought of Moby Dick. A section about 15 pages long where a North
Korean delegation visits a Texas ranch is laugh-aloud funny. The book as a whole has a certain
imaginative, surreal zaniness.
That's about it.
Basically, it's a trashy piece of work.
Reading it is like reading the script of a B adventure movie. It follows the life of an orphan in North
Korea who, through a series of unlikely events, comes to masquerade as a member
of the elite. Outside of the descriptive
passages mentioned, the prose is adequate to mediocre. The dialogue is stilted. The real problem has to do with plot and
characterization. Both are totally
subservient to building scenes. It's like
one of those operas where the plot and characterization serve only to maneuver
the singers onto the stage where they can emote beautifully. I think of I Puritani, written during the
height of the fashion of mad scenes, where the heroine goes mad and sings a
gorgeous aria, then, since one mad scene is good two must be better, recovers
but suddenly goes mad again when she sees her boyfriend out riding with another
woman, and finally regains her sanity -
for the opera has a happy ending. But
here there is no beautiful music. The
Orphan Master's Son has not one, but two endings, both spuriously happy, one
highly suitable for a grade B Hollywood adventure movie and the other for a
grade B North Korean adventure movie.
Note that there are several scenes of horrendous torture. Someone who would be uncomfortable with
reading vivid torture should skip this book.
Someone trying to defend the plot and characterization might
assert that life in a totalitarian regime is often arbitrary, and, as Michael
Kundera has explored so movingly, under the pressure of constant police
scrutiny, if you make up a story about yourself, or someone else makes it up,
that is who you become. The problem in
this book is that the manipulative plot and jerky characterization give no
feeling of authenticity. I am no more
convinced I have learned anything reliable about North Korea than I would be
convinced I had learned about the settlement of the Great Plains form watching
a spaghetti western or about Renaissance Scotland by attending a performance of
Lucia di Lammermoor.
Several fine novels address the effect of authoritarian
regimes on human fate and character from the inside with great insight and
authenticity. Here are a few that come
to mind: From nearby China, Soul Mountain by Gao Xingjian. Kundera’s The Unbearable Lightness of
Being and other novels. The long-term consequences of oppression are
thoughtfully portrayed in Antonio Muñoz Molina’s Sepharad and The Rings of Saturn and other
novels by W. G. Sebald. Read one of them instead.
I don't keep current on American fiction, so I don't have
any idea what the Pulitzer committee had to choose from last year, but, if there was
nothing better than this, it was a bad year.
Well, thanks. There's another book I don't need to read.
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